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Column 921

Crater Heart

11.14.2022

Ten­nessee Hills South emerges in her poem as a char­ac­ter, a per­son­age that haunts and pos­sess­es her with beau­ty and a cer­tain dis­qui­et. Her poem, Crater Heart”, moves from frag­men­tary image to sim­i­le to metaphor in a seem­ing­ly dis­joint­ed fash­ion, that in the end, becomes a com­po­si­tion of arrest­ing beau­ty: I have stuffed the South’s nightlights/​in my mouth.” Per­haps this is how she wants us to read her poem of ele­gant strangeness.

Crater Heart

Such strangeness these days.

Morning rising over my head
like the quilt sewn of old t-shirts
or saltwater waves
licking our sun-bleached dock.

Then—you absorbing moment, you
harvest queen—the sky is surprised
by evening’s orchard.

I have stuffed the South’s nightlights
in my mouth. Gala of fireflies.

How clumsy I feel in front of God.

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We do not accept unsolicited submissions

We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2022 by Tennessee Hill, “Crater Heart” from The Adroit Journal Issue, Forty-One. Introduction copyright © 2024 by The Poetry Foundation.