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Column 132

The Garden Buddha

Intro by Ted Kooser
10.10.2007

Chil­dren at play give per­son­al­i­ties to life­less objects, and we don’t need to give up that plea­sure as we grow old­er. Poets are good at dis­cern­ing life with­in what oth­er­wise might seem life­less. Here the poet Peter Pereira, a fam­i­ly physi­cian in the Seat­tle area, con­tem­plates a smil­ing stat­ue, and in that moment of con­tem­pla­tion the smile is giv­en by the stat­ue to the man. 

The Garden Buddha

Gift of a friend, the stone Buddha sits zazen,   
prayer beads clutched in his chubby fingers.   
Through snow, icy rain, the riot of spring flowers,   
he gazes forward to the city in the distance—always   

the same bountiful smile upon his portly face.   
Why don’t I share his one-minded happiness?   
The pear blossom, the crimson-petaled magnolia,   
filling me instead with a mixture of nostalgia   

and yearning.  He’s laughing at me, isn’t he?   
The seasons wheeling despite my photographs   
and notes, my desire to make them pause.   
Is that the lesson?  That stasis, this holding on,   

is not life?  Now I’m smiling, too—the late cherry,   
its soft pink blossoms already beginning to scatter;   
the trillium, its three-petaled white flowers   
exquisitely tinged with purple as they fall.   

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We do not accept unsolicited submissions

We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright © 2007 by Peter Pereira. Reprinted from What’s Written on the Body by Peter Pereira, Copper Canyon Press, 2007, by permission of the author and publisher. Introduction copyright © 2024 by The Poetry Foundation.