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Column 173

Piano

Intro by Ted Kooser
07.23.2008

Poets are espe­cial­ly good at invest­ing objects with mean­ing, or in draw­ing mean­ing from the things of this world. Here Patrick Phillips of Brook­lyn, New York, does a mas­ter­ful job of com­par­ing a wrecked piano to his feelings. 

Piano

Touched by your goodness, I am like   
that grand piano we found one night on Willoughby   
that someone had smashed and somehow   
heaved through an open window.   

And you might think by this I mean I’m broken   
or abandoned, or unloved.   Truth is, I don’t   
know exactly what I am, any more   
than the wreckage in the alley knows   
it’s a piano, filling with trash and yellow leaves.   

Maybe I’m all that’s left of what I was.   
But touching me, I know, you are the good   
breeze blowing across its rusted strings.   

What would you call that feeling when the wood,   
even with its cracked harp, starts to sing?

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Disclaimer

We do not accept unsolicited submissions

We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright © 2008 by Patrick Phillips. Reprinted from his most recent book of poetry, Boy, University of Georgia Press, 2008, by permission of Patrick Phillips. Introduction copyright © 2024 by The Poetry Foundation.