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Column 351

Off A Side Road Near Staunton

Intro by Ted Kooser
12.11.2011

In many of those Japan­ese paint­ings with Mt. Fuji in the back­ground, we find tiny fig­ures mov­ing along under the immen­si­ty of the land­scape. Here’s an Amer­i­can ver­sion of a scene like that, by Stan­ley Plum­ly of Mary­land, one of our country’s most accom­plished poets.

Off A Side Road Near Staunton

Some nothing afternoon, no one anywhere,
an early autumn stillness in the air,
the kind of empty day you fill by taking in
the full size of the valley and its layers leading
slowly to the Blue Ridge, the quality of country,
if you stand here long enough, you could stay
for, step into, the way a landscape, even on a wall,
pulls you in, one field at a time, pasture and fall
meadow, high above the harvest, perfect
to the tree line, then spirit clouds and intermittent
sunlit smoky rain riding the tops of the mountains,
though you could walk until it’s dark and not reach those rains—
you could walk the rest of the day into the picture
and not know why, at any given moment, you’re there.

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We do not accept unsolicited submissions

We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Reprinted from Old Heart, by Stanley Plumly. Copyright ©2007 by Stanley Plumly. Used by permission of the publisher, W.W. Norton & Company, Inc. Introduction copyright © 2024 by The Poetry Foundation.