Newsletter sign up

Be the first to know when new American Life in Poetry columns are live.

Column 873

The Snowy Egret

12.13.2021

Nan­cy Keat­ing has clear­ly rec­og­nized a fun­da­men­tal human val­ue of poet­ry, the capac­i­ty for art to help us cope with the mem­o­ries of our guilt-induc­ing acts. In her poem The Snowy Egret” the con­fes­sion of a man in a mag­a­zine killing a bird in his youth, serves as a source of empath­ic release for the poet from her own unspo­ken regret. For­get­ting, she says, is not real­is­tic. This, as it hap­pens, is a handy truth for poets whose cur­ren­cy is memory.

The Snowy Egret

Give me another word for regret,
             something more like forget
                        only better, more effective,

since in fact we really don’t forget
            the bad things we did
                        or caused. I read in a letter

to The Sun Magazine where a man
            will always remember the egret
                        lying, a silent heap of cirrus clouds,

at his 12-year-old feet. It was his first
            and last time shooting a gun.
                        His confession stabbed me

into a memory of unremembered shame
            and the ache in my stomach telling me
                        I had joined humanity.

Share this column

Disclaimer

We do not accept unsolicited submissions

We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2021 by Nancy Keating, “The Snowy Egret” from White Chick (Elixir Press, 2021.) Poem reprinted by permission of the author and the publisher. Introduction copyright © 2024 by The Poetry Foundation.