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Column 901

The Peach

06.27.2022

Alice Friman, in her emo­tion­al­ly com­plex poem, The Peach, describes what appears to be the end of a rela­tion­ship. The nature of the rela­tion­ship is not clear, though Friman’s images of stick­i­ness and run­ning juices sug­gests a tac­tile sen­su­al­i­ty, that stands in con­trast to the final image of snow­drifts and numb­ness. It is a short, com­pact, nar­ra­tive, that ends with a del­i­cate­ly cap­tured dis­qui­et, cap­tured in the ques­tion that ends the poem. 

The Peach

I stood on a corner eating a peach,
the juice running down my arm.
A corner in Pergos where he left me,
Pergos where I could catch a bus.
What was I supposed to do now
alone, my hands sticky with it
standing on the corner where he
left me a Greek peach, big as a softball,
big as an orange from Spain, but it
wasn’t from Spain, but from Pergos,
where I could see his red truck
disappear around a corner, not
my corner but further up the street,
and only later, months later, back
home when the trees were slick
with ice, their topmost branches
shiny as swords stabbing the heart
out of the sky, the earth chilled under
snowdrifts or as we tend to say, sleeping.
But I don’t know, frozen maybe, numb?

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Disclaimer

We do not accept unsolicited submissions

We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2021 by Alice Friman, “The Peach” from The Georgia Review Vol LXXV No. 3. Poem reprinted by permission of the author and the publisher. Introduction copyright © 2024 by The Poetry Foundation.

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